i. I work as a: Dance artist with Wen Wei Dance, Vision Impure. ii. I do this creative work because: Dance is how I make sense of the world; it pushes me to think of things bigger than life’s daily routines, beyond what is immediate or convenient. It is one of
i. I work as an emerging artist with Ballet BC. ii. I do this creative work because it is a part of who I am. I think art can heal oneself as well as healing others. iii. Personal qualities that help me in my work are: I find that there are
‘While the poet wrestles with the horses in his brain and the sculptor wounds his eyes on the hard spark of alabaster, the dancer battles the air around her, air that threatens at any moment to destroy her harmony or to open huge empty spaces where her rhythm will be
i. I work as a: Contemporary Ballet Dancer with Ballet British Columbia. ii. I do this creative work because: It’s the purest form of expression in my opinion; there is something very primal about using the body to communicate with others. It’s a further extension of emotions, something that brings
‘Overlapped mattresses slashed, ripped open by a knife, mutilated. A mishmash of resurrected objects, a breath of life in death. A no man’s land of destruction where Peter James and Jassem Hindi form a duo of wandering vagabonds, survivors killing time and boredom, spewing out and sublimating their pain and
Long before there was much hip in Vancouver’s hop, you could still find talented dancers and choreographers teaching hip-hop classes in small studios and gyms around town. The classes attracted a wild mix of ages and dance stages – just people wanting to listen to great music, get some exercise and have
When you ask most people about Spin class, they throw out words like: intense, energizing, grueling, medieval chain gang madness. It is wheels whipping, legs cramping, sweat flying. 4, 3, 2, 1. Out of the saddle. When you ask Livona Ellis about Spin class, she settles into a tranquil sigh.
If you want to be invited back to the theatre, do not wish any of the performers the accursed good luck. If you must add your two bits, you can try the break a leg approach with actors, maybe singers. With dancers, however, you can imagine that break a leg is no